hold — top half holds, lower half decays

drag the handles — touching one un-bypasses

send is this channel's — the room is shared

A chopper on the division you press, phase-locked to the bar — so switching it on mid-phrase still lands on the grid. It is the LAST thing in the channel and sits upstream of the reverb send, so the send is chopped too and the room rings on through the closed half. Duty is how much of each division sounds; edge is the difference between a chop and a throb.

A short modulated delay summed with the dry signal — the hollow metallic sweep. Delay is the axis worth moving by hand; sweep at zero leaves it hand-played, which is how it is on Rudie. It runs between the stutter and the filter, so the filter can take the top off a comb that has gone shrill.

Hold to climb — one rung per sequencer step, for as long as you hold, not one step per press. How far up the button you press sets the rung: semitone, tone, or minor pentatonic.

A beat-repeat with no buffer in it. The stutter freezes audio and replays it; this pulls the channel's clock back a window so the same span is RE-READ — which means the repeats follow the sample, the sequencer, the pitch and the timestretch instead of being a photograph of them. Two repeats is the doubler; an interval on the odd ones makes it a trill.